SBDMT wrote:

When he spots a cute child playing about, he begins thinking out loud how "that goddamn kid's so fucking cute I just wanna fucking cave in his fucking skull. That fucking little fuck" or something to that extent. I mean, we've all felt like that, right? I think the chick's comments were more cute and harmless, his hinted at something darker, but slipped out at a time, that under the circumstances, made them a little less destructive. Or something.

SBDMT wrote:

The conclusion was a little abrupt, but I liked it for the fact that it broke enough rules of the romcom formula to avoid the inevitable conflict between the lovers that must be resolved irrationally in the final five minutes. He left her at the hospital, which wasn't a huge deal. He apologized. And just in case the apology fell through he brought along the harmonium.

SBDMT wrote:

As far as the "showdown" with matress man, it did feel a little anticlimactic - especially following his transformation into bizarro-Punisher vs the Mullet Militia. I think the film was suggesting that maybe he had been repaired to a degree that he could control his rage even in the face of forces threatening to fuck it all up. It was offbeat and a surprise, like much of the film. It's a neat trick when a director can make an unpredictable film that just runs with it and manages to make it entertaining at the same time.

SBDMT wrote:

Of course, I wouldn't expect it to appeal to everyone. Fussbett?